Wolfgang is a Filipino heavy metal/ heavy rock/grunge band. It was formed around 1992. Their songs were very popular to the listeners. The band were not just recognized here in the Philippines but also in the South East Asian region, Hong Kong, Japan, United States and Canada. They were composed of four members. Basti Artadi is the band’s vocalist, Mon Legaspi is the bassist, Wolf Gemora is with the drums and Manuel Legarda with the guitars.
Sebastian Artadi (Basti) and Leslie Gemora (Wolf) started in other bands. Manuel Legarda returned here from living abroad in Spain met the Basti & Wolf and was inspired by Razorback to create new band. The name Wolfgang was suggested by David Aguirre, one of the guitarist of Razorback. Their music were influenced by the likes of Metallica, Soundgarden, Carlos Santana, Pearl Jam, The Doors, Black Sabbath, Sepultura, Led Zeppelin, Pink Floyd and Aerosmith. They started playing at the former Atrium and the defunct Kalye in Makati City. Before the arrival of Mon, bass players came and went. Upon the arrival of Ramon Legaspi (Mon), the line-up of the band was finalized.
Their big break was when they were playing in Channel 29’s RJ Junior Jam. The band submitted two demos of original composition, Darkness Fell and Left Along to local stations DWRT 99.5 and DWLA 105.9. the band signed with Ivory Records and released their debut album Wolfgang in 1995. the album went to Platinum less than a year. The cover of the said album was designed by Basti Artadi.
In 1996, the band signed with a major label, Sony Music Entertainment Philippines. They released their second album Semenelin and reached double-platinum status selling approximately 80,000 albums. Wolfgang became one of the most popular band in the Philippines. The all-English version of Semenelin was released in the United States on March 1997.
Their third album entitled Wurm was released in late 1997. Its sales were lower compared to Semenelin. T reached only platinum status selling almost 40, 000 copies. In 1998, Wurm, which was recorded in all-English was released in the world’s second-largest market for recorded music, Japan. Wolfgang performed several show there to promote their album.
Serve In Silence is the band’s fourth album. It was released locally on March 1999. Its carrier single, “Atomica” was released with music video which was considered as one of the greatest Filipino rock music videos of all time. The live album entitled Soundcheck: The Live Recordings was released on February 2000. It featured Wolfgang and other three rock bands signed with Sony music Entertainment. On the late 2000, the live concert album Acoustica was released by Wolfgang. Several artist participated including David Aguirre of Razorback and the University of the Philipine Singing Ambassador. The album reached gold status.
On April 2001, a compilation of Wolfgang materials selected from its four albums including of the first Ivory Records album was released in Australia and Tower Records stores in the U.S.entitled Volume.
The fifth album of the band, Black Mantra is a double-CD which was released in August 2001. “No Falter” is the carrier single of the album which was included in the Philippine edition of Final Fantasy: The Spirits Within soundtrack. Some of the certified hits of the album were “Bow Unto Thee”, “Idlip” and “Meckam”. It is their final album prior to their dissolution on 2002. Basti was saying that the band never did break up and circumstances simply led to band members going to different paths. But they never closed the door for any opportunity to work together again.
Various members of Wolfgang and Razorback had their reunion concert at the Music Museum on January 6 & 12, 2007. During the concert, the band played a new song and Basti commented to record a new album. Later, the new album was promoted at Yahoo! Philippines music portal. “Deathsquad”, the first single of the album hit the airwaves thru NU107 on April 16, 2007.
Albums
* Wolfgang
* Semenelin
* Wurm
* Serve In Silence
* Soundcheck: The Live Recordings
* Acoustica
* Volume
* Black Mantra
* Villains
* Alive
Awards
1995
* Vocalist of the Year- Bast Artadi, NU107 Rock Awards
* Drummer of the Year- Gemora, NU107 Rock Awards
* Guitarist of the Year- Legarda, NU107 Rock Awards
* Artist of the Year- Wolfgang, NU107 Rock Awards
* Best Live Act- Wolfgang, NU107 Rock Awards
1996
* Vocalist of the Year- Basti Artadi, NU107 Rock Awards
* Drummer of the Year- Wolf Gemora, NU107 Rock Awards
* Artist of the Year- Wolfgang, NU107 Rock Awards
* Best live Performer- Wolfgang, NU107 Rock Awards
1998
* Album of the Year- Wurm, NU107 Rock Awards
* Vocalist of the Year- Basti Artadi, NU107 Rock Awards
* Drummer of the Year- Wolf Gemora, NU107 Rock Awards
* Listener’s Choice- Wolfgang, NU107 Rock Awards
* Artist of the Year- Wolfgang, NU107 Rock Awards
1999
* Album of the Year- Serve In Silence, NU107 Rock Awards
* Best Album Packaging- Serve In Silence, NU107 Rock Awards
* Artist/Band of the Year- Wolfgang, NU107 Rock Awards
* Vocalist of the Year- Basti Artadi, NU107 Rock Awards
* Guitarist of the Year- Manuel Legarda, NU107 Rock Awards
* Bassist of the Year- Mon Legaspi, NU107 Rock Awards
* Drummer of the Year- Wolf Gemora, NU107 Rock Awards
* Producer of the Year- Wolfgang, NU107 Rock Awards
2000
* Vocalist of the Year- Basti Artadi, NU107 Rock Awards
* Drummer of the Year- Wolf Gemora, NU107 Rock Awards
* Bassist of the Year- Mon Legaspi, NU107 Rock Awards
* Guitarist of the Year- Manuel Legarda, NU107 Rock Awards
Sunday, June 28, 2009
Afterimage - Bio, Albums
Afterimage is a band of pop rock in the Philippines. The group disbanded after 11 years being together and made a comeback this 2008. Some their popularized songs were Habang May Buhay, Next In Line and Mangarap Ka.
Afterimage was formed and active in 1990. Five members composed the band. Bobit Unson was the bass guitarist and Francis Reyes on Lead Guitars. Francis Reyes eventually replaced by Chuck Isidro of 6cyclemind. Rogie Callejo played the drums while Arnold Cabalza took the keyboardist’s responsibilities. Wency Cornejo was assigned to do the vocals.
Touch The Sun was the title of Afterimage’s debut album which was released under Dyna Records on 1992. It contained 8 tracks, spawning four singles namely: Bai, Only You, Next In Line and Pagtawid. The title Touch The Sun was taken out from the phrase of Next In Line. It was said that the phrase was accidentally blurted out by Wency Cornejo during the recording session. Thinking it captured the meaning of the album- life in its fiery form, they used the phrase as a title as it represents hopes, frustrations and most importantly, the kind of renewal felt inside as they touch other lives.
On 1994, Afterimage released their second album at the height of band craze in the Philippine music scene. The album was dubbed as Tag-Araw, Tag-Ulan. The title took its name from the two singles from the album. It boasts its carrier single, Tag-Ulan which topped several charts in the country. The album was awarded its Gold Record awards later that year. Mangarap Ka, their follow-up single also became a great hit for the band.
After 11 years of sojourn in music scenery, Afterimage officially disbanded on 2001. Manager conflict was said to be the reason for such action. Wency Cornejo, the band’s vocalist pursued a solo career after the dissolution of the band.
7 years after being disbanded, the group made a comeback this year 2008. They returned with a new album entitled The Place In The Sun boasting Musikero as its carrier single. The album was released under Viva Records.
Musikero is the first and official music video from the album. Aside from the said single, fans will surely enjoy other 11 tracks of rock and heavy ballads.
It is nice to see a former band grouped again together, making music and doing things they used to be. Afterimage have grown and is a whole lot better than before.
Albums:
1. Touch The Sun
2. Tag-Araw, Tag-Ulan
3. The Place In The Sun
---------------------------------------------------------
Afterimage - [1993] Touch The Sun [CD]
ARTWORKS:
Artist : Afterimage
Album : Touch The Sun
Source : CD
Year : 1993
Genre : PinoyRock
Track Listing
-------------
1. (Intro) Stories (0:57)
2. Pagtawid (3:22)
3. Next In Line (4:18)
4. Anak Ng Puso (4:04)
5. Bai (4:27)
6. Only You (4:01)
7. All In The Heart (4:13)
8. Believe (4:45)
9. Forevermore (4:39)
10. All In The Heart (Extended Version) (6:10)
11. Only You (Guitar & Strings Only) (3:45)
12. (Extro) Paalam (0:49)
Total Playing Time: 45:35 (min:sec)
------------------------------------------------------
Afterimage - [1994] Tag Ulan Tag Araw [CD]
ARTWORKS:
Artist : Afterimage
Album : Tag Ulan Tag Araw
Source : CD
Year : 1994
Genre : PinoyRock
Track Listing
-------------
1. Magarap Ka (4:45)
2. Another Day (3:12)
3. Tag-araw (3:46)
4. Habang May Buhay (4:33)
5. Without You (4:25)
6. Slow (3:32)
7. Forevermore (4:35)
8. Tag-ulan (4:38)
9. Defenseless (2:13)
10. Habang may buhay (4:16)
11. Without you (4:30)
Total Playing Time: 44:30 (min:sec)
-----------------------------------------------
Afterimage - [2008] Our Place Under The Sun [CD]
ARTWORKS:
Artist : Afterimage
Album : Our Place Under The Sun
Source : CD
Year : 2008
Genre : PinoyRock
Track Listing
-------------
1. Lakas (4:23)
2. Finding It Hard To Breathe (4:55)
3. Musikero (4:59)
4. Habang Ako Ay Narito (5:04)
5. Our Place Under The Sun (4:42)
6. Pagkat Ika'y Narito (4:48)
7. More Than Life (4:58)
8. Brightest Day (3:51)
9. Standing By Your Side (4:38)
10. You Made Me Believe (5:00)
11. Castaway (4:26)
12. Patalim (4:01)
Total Playing Time: 55:49 (min:sec)
Afterimage was formed and active in 1990. Five members composed the band. Bobit Unson was the bass guitarist and Francis Reyes on Lead Guitars. Francis Reyes eventually replaced by Chuck Isidro of 6cyclemind. Rogie Callejo played the drums while Arnold Cabalza took the keyboardist’s responsibilities. Wency Cornejo was assigned to do the vocals.
Touch The Sun was the title of Afterimage’s debut album which was released under Dyna Records on 1992. It contained 8 tracks, spawning four singles namely: Bai, Only You, Next In Line and Pagtawid. The title Touch The Sun was taken out from the phrase of Next In Line. It was said that the phrase was accidentally blurted out by Wency Cornejo during the recording session. Thinking it captured the meaning of the album- life in its fiery form, they used the phrase as a title as it represents hopes, frustrations and most importantly, the kind of renewal felt inside as they touch other lives.
On 1994, Afterimage released their second album at the height of band craze in the Philippine music scene. The album was dubbed as Tag-Araw, Tag-Ulan. The title took its name from the two singles from the album. It boasts its carrier single, Tag-Ulan which topped several charts in the country. The album was awarded its Gold Record awards later that year. Mangarap Ka, their follow-up single also became a great hit for the band.
After 11 years of sojourn in music scenery, Afterimage officially disbanded on 2001. Manager conflict was said to be the reason for such action. Wency Cornejo, the band’s vocalist pursued a solo career after the dissolution of the band.
7 years after being disbanded, the group made a comeback this year 2008. They returned with a new album entitled The Place In The Sun boasting Musikero as its carrier single. The album was released under Viva Records.
Musikero is the first and official music video from the album. Aside from the said single, fans will surely enjoy other 11 tracks of rock and heavy ballads.
It is nice to see a former band grouped again together, making music and doing things they used to be. Afterimage have grown and is a whole lot better than before.
Albums:
1. Touch The Sun
2. Tag-Araw, Tag-Ulan
3. The Place In The Sun
---------------------------------------------------------
Afterimage - [1993] Touch The Sun [CD]
ARTWORKS:
Artist : Afterimage
Album : Touch The Sun
Source : CD
Year : 1993
Genre : PinoyRock
Track Listing
-------------
1. (Intro) Stories (0:57)
2. Pagtawid (3:22)
3. Next In Line (4:18)
4. Anak Ng Puso (4:04)
5. Bai (4:27)
6. Only You (4:01)
7. All In The Heart (4:13)
8. Believe (4:45)
9. Forevermore (4:39)
10. All In The Heart (Extended Version) (6:10)
11. Only You (Guitar & Strings Only) (3:45)
12. (Extro) Paalam (0:49)
Total Playing Time: 45:35 (min:sec)
------------------------------------------------------
Afterimage - [1994] Tag Ulan Tag Araw [CD]
ARTWORKS:
Artist : Afterimage
Album : Tag Ulan Tag Araw
Source : CD
Year : 1994
Genre : PinoyRock
Track Listing
-------------
1. Magarap Ka (4:45)
2. Another Day (3:12)
3. Tag-araw (3:46)
4. Habang May Buhay (4:33)
5. Without You (4:25)
6. Slow (3:32)
7. Forevermore (4:35)
8. Tag-ulan (4:38)
9. Defenseless (2:13)
10. Habang may buhay (4:16)
11. Without you (4:30)
Total Playing Time: 44:30 (min:sec)
-----------------------------------------------
Afterimage - [2008] Our Place Under The Sun [CD]
ARTWORKS:
Artist : Afterimage
Album : Our Place Under The Sun
Source : CD
Year : 2008
Genre : PinoyRock
Track Listing
-------------
1. Lakas (4:23)
2. Finding It Hard To Breathe (4:55)
3. Musikero (4:59)
4. Habang Ako Ay Narito (5:04)
5. Our Place Under The Sun (4:42)
6. Pagkat Ika'y Narito (4:48)
7. More Than Life (4:58)
8. Brightest Day (3:51)
9. Standing By Your Side (4:38)
10. You Made Me Believe (5:00)
11. Castaway (4:26)
12. Patalim (4:01)
Total Playing Time: 55:49 (min:sec)
Saturday, June 27, 2009
Datu's Tribe - Bio, Albums, Songs
The History of Datu's Tribe band
Dinosaur Juniors: Datu’s Tribe
1989-1990
Vocals: Eric “Cabring” Cabrera
Guitar 1: Del Visperas
Guitar 2: Ceferino “Dos” Pacio
Bass: Mel Visperas
Drums: Gerald “Dax” Dacayan
Datu’s Tribe was formed in UP Los Baños in the wake of Motion: Battle of the Bands, a music competition sponsored way back in 1989 by the UP Chi Epsilon Sorority. Although the event itself did not produce any worthwhile group to speak of, it did give the school community the unique opportunity to see the best individual music talents on campus. A few months after the competition, newer and better bands began to form. These groups eventually laid down the foundations for what was to become the alternative band scene in UPLB and foremost in the group of fledgling talents was the starving-artist band, Datu’s Tribe.
1991-1993
Retired: Dos Pacio & Dax Dacayan
New Drums: Ian Cabanilla
During its formative years, Datu’s Tribe covered songs from acts such as Metallica, Guns ‘n’ Roses, Skid Row, The Cult, and Juan de la Cruz. But even during those early years, the overflow of collective creative energy eventually led the band to the inevitable: the creation of originals that were set apart from the rest in terms of content and musical innovation. The lyrics were biting, sarcastic, acid humor at its best; the music was an eclectic mix of influences ranging from mainstream pop to thrash metal.
Datu’s Tribe music resisted classification, but the thematic content still integrated the band’s creative output into a recognizable package. It was this dynamic that made the band an unpredictably fresh and disturbingly attractive alternative to the prevailing music acts of the time.
1994
After years of on and off gigs on and off campus, the band was fortuitously given a chance to make a demo recording of three original compositions, Praning, Kuwento ni Del, & And I See. Of the three, Praning was submitted to the Pinoy alternative music radio station LA 105.9, where it received massive airplay and eventually went on to hold the no.1 spot in the station’s countdown for six straight weeks.
Popularity bolstered the band’s reputation and paved the way for performances at rock bars such as Mayric’s and Club Dredd and at major concerts within Metro Manila. It was, however, the entry into Club Dredd that was to make the most impact on the band’s future as the club’s owner, Patrick Reidenbach, would soon offer to manage the band. It was clear to everyone that the group was about to deliver a more significant blow to the local music scene.
1995-1996
Management eventually brokered a deal with Universal Records, and in August of 1995, the Datu’s Tribe debut, Galit Kami Sa Baboy, was released into a music environment mushrooming with rock fanatics. The album contained 10 solid tracks that poured more gasoline into the fires started by the Big Three of 1994: The Youth, Yano, & The Eraserheads. Along with Datu’s Tribe, acts such as Teeth, Wolfgang, Razorback, Mutiny, and many others, released albums in 1995 and established the supremacy of Pinoy Rock in the local airwaves for several years.
After reaching sales of 20,000+ copies in a few months time, Galit Kami Sa Baboy achieved Gold Record status. A nomination in the Awit Awards for Best Rock Group, recognition from the Philippine Daily Inquirer’s Eric Caruncho as the “Best New Group” of 1995 (Sunday Inquirer Magazine’s Best of 1995) and numerous other accolades from fans and music critics alike made the band’s status in the local music scene unassailable.
Major tours in Baguio, Pangasinan, Pampanga, Cavite, Laguna, Quezon Province, Iloilo, Antique, Davao, and Gen. Santos, as well as major cause-oriented youth concerts all over Metro Maniila helped the band earn a reputation for creating unclassifiable, gut-wrenching, acid-witted songs that promoted social and political action and awareness. By the end of 1996, Datu’s Tribe had already become a household name in thousands of broken and/or mildly dysfunctional family homes all across the country!
1997-1998
Retired: Ian Cabanilla
New Drums: John Manalo
The late 90s saw the gradual decline of the “alternative” music scene as the supersaturation of the fickle local market with rock bands with rock brands of all types mutated the music into an experience that was just too much of a good thing offered too much. Along with the decline, the continued existence of Datu’s Tribe was becoming questionable primarily because two of its members (Del and Mel Visperas) were still based in Los Baños. The cost of performing mostly in rock bars in Manila soon became prohibitive and major gigs were coming fewer and farther in between. Although the drive to perform was still present, financial and domestic pressures eventually forced the band into early retirement.
Then, like sprinklings of ash on a death anniversary cake, Club Dredd closed its doors on Independence Day, 1998 to bring the era to a somewhat ironic close.
Cabring went back to fulltime teaching at UP.
Del went into part-time teaching, played in a retro-band and found a new love in tennis.
Mel eventually went into full time work at DOST.
John played in a blues band for a while before leaving for the US.
August 2004 – March 2005
After being haunted for 7 years by ghosts of dead-at-a-young-age-through-suicide musicians who prophesied that if Datu’s Tribe was not given another chance, its members would die of frustrated stardom syndrome, Cabring & Del decided to bring the band out of retirement and began work on tentative projects while searching for a new crew.
Cabring eventually hooked up with bass player André Umali who in turn asked Dax Padiernos (his batchmate in UPIS & part-owner of Purple Haze Resto & Bar) for help in acquiring a new drummer for the group. After a couple of try-outs, the group finally decided on Dax Padiernos as the new drummer. Mark Noval, guitarist of hardcore thrash outfit Genital Grinder, was added to the final mix in March.
Starting with “feeler” performances at Purple Haze, the revitalized band eventually played successful gigs at the UP Integrated School, the UPLB Fair, Gweilo’s Eastwood, the Megamall Arts@Music Festival, Rockista Reloaded, Music Museum, and the Rock Salad concert in Bulacan State U. Internet fansites, radio guestings at NU 107’s Gweilo’s Hour, Tapsi Rock, plus a new generation of listeners and supporters all coalesced into a surprisingly refreshing realization: Parang hindi nawala ang Datu’s Tribe.
April 2005
With a top-of-the-line computer system, a mixing console, a couple of thousand pesos, blood, guts, and gray matter forced into creative inspiration by liters of alcohol, the Pseudo-Acoustic Bogus-Live! EP desperately entitled FAT BURNER was born on the last week of March 2005 and released (100 initial copies out of 1,000 planned total) on April Fools Day. With demand far outstripping supply and availability, God knows what futures will be created, reshaped, or destroyed by the rebirth of Datu’s Tribe!
June 2005
Retired: Dax “Maxximum Biodaxx” Padiernos & Mark “Dr. Kram L’avon” Noval
New Drums: Paolo "Octopao" Delarama
But that’s not all! Add a new full-length album in the works, the local rock music scene gearing up for resuscitation, the country’s socio-economic development indicators at an all-time loveable low, and it appears that the band’s resurrection couldn’t have come at a more desperately opportune time.
Rest easy, ye dead-at-a-young-age-through-suicide musicians! DATU’S TRIBE IS ALIVE AGAIN!
Vocals: Eric “Ngirbac Arerbac” Cabrera
Gitara: Del “DelVis PressMe” Visperas
Bass: André “DarakStar" O'Malley
Drums: Paolo "Octopao" Delarama
Albums:
* Datu's Tribe - Demo tape (collector's item – Never Released)
* Datu's Tribe - Galit Kami Sa Baboy
* Datu's Tribe - Fat Burner
* Datu's Tribe - Whoah Pilipinas!
---------------------------------------------------------
Datu's Tribe - [1995] Galit Kami Sa Baboy! [CD]
ARTWORKS:
Artist : Datu's Tribe
Album : Galit Kami Sa Baboy!
Source : CD
Year : 1995
Genre : Pinoy Rock
Track Listing
-------------
1. Sarsa Platoon (5:02)
2. Nakalilitong Mga Tao (4:22)
3. A Girl For The World (4:40)
4. Kwento Ni Del (3:43)
5. And I See (3:46)
6. Utang Na Naman (3:55)
7. Praning (4:34)
8. Monthly Red (5:10)
9. Possessethed (5:20)
10. Constancia In Pulchritude (6:16)
11. Franing(!) (4:11)
Total Playing Time: 51:04 (min:sec)
------------------------------------------------------
Datu's Tribe - [2005] Fat Burner [CD]
ARTWORKS:
-----------------------------------------------------------
Datu's Tribe - [2007] Whoa! Pilipinas! [CD]
ARTWORKS:
Artist : Datu's Tribe
Album : Whoa! Pilipinas!
Source : CD
Year : 2007
Genre : Pinoy Rock
Track Listing
-------------
1. Feelings (3:26)
2. California Dog (4:47)
3. Christina (3:59)
4. Para Que, Elsa? (5:02)
5. Lakambini Bottom (3:25)
6. Demolition Squadd (4:59)
7. Karne (3:40)
8. Apiculture (4:36)
9. Whoa! Pilipinas! (4:07)
10. Death Metal (4:24)
Total Playing Time: 42:30 (min:sec)
Dinosaur Juniors: Datu’s Tribe
1989-1990
Vocals: Eric “Cabring” Cabrera
Guitar 1: Del Visperas
Guitar 2: Ceferino “Dos” Pacio
Bass: Mel Visperas
Drums: Gerald “Dax” Dacayan
Datu’s Tribe was formed in UP Los Baños in the wake of Motion: Battle of the Bands, a music competition sponsored way back in 1989 by the UP Chi Epsilon Sorority. Although the event itself did not produce any worthwhile group to speak of, it did give the school community the unique opportunity to see the best individual music talents on campus. A few months after the competition, newer and better bands began to form. These groups eventually laid down the foundations for what was to become the alternative band scene in UPLB and foremost in the group of fledgling talents was the starving-artist band, Datu’s Tribe.
1991-1993
Retired: Dos Pacio & Dax Dacayan
New Drums: Ian Cabanilla
During its formative years, Datu’s Tribe covered songs from acts such as Metallica, Guns ‘n’ Roses, Skid Row, The Cult, and Juan de la Cruz. But even during those early years, the overflow of collective creative energy eventually led the band to the inevitable: the creation of originals that were set apart from the rest in terms of content and musical innovation. The lyrics were biting, sarcastic, acid humor at its best; the music was an eclectic mix of influences ranging from mainstream pop to thrash metal.
Datu’s Tribe music resisted classification, but the thematic content still integrated the band’s creative output into a recognizable package. It was this dynamic that made the band an unpredictably fresh and disturbingly attractive alternative to the prevailing music acts of the time.
1994
After years of on and off gigs on and off campus, the band was fortuitously given a chance to make a demo recording of three original compositions, Praning, Kuwento ni Del, & And I See. Of the three, Praning was submitted to the Pinoy alternative music radio station LA 105.9, where it received massive airplay and eventually went on to hold the no.1 spot in the station’s countdown for six straight weeks.
Popularity bolstered the band’s reputation and paved the way for performances at rock bars such as Mayric’s and Club Dredd and at major concerts within Metro Manila. It was, however, the entry into Club Dredd that was to make the most impact on the band’s future as the club’s owner, Patrick Reidenbach, would soon offer to manage the band. It was clear to everyone that the group was about to deliver a more significant blow to the local music scene.
1995-1996
Management eventually brokered a deal with Universal Records, and in August of 1995, the Datu’s Tribe debut, Galit Kami Sa Baboy, was released into a music environment mushrooming with rock fanatics. The album contained 10 solid tracks that poured more gasoline into the fires started by the Big Three of 1994: The Youth, Yano, & The Eraserheads. Along with Datu’s Tribe, acts such as Teeth, Wolfgang, Razorback, Mutiny, and many others, released albums in 1995 and established the supremacy of Pinoy Rock in the local airwaves for several years.
After reaching sales of 20,000+ copies in a few months time, Galit Kami Sa Baboy achieved Gold Record status. A nomination in the Awit Awards for Best Rock Group, recognition from the Philippine Daily Inquirer’s Eric Caruncho as the “Best New Group” of 1995 (Sunday Inquirer Magazine’s Best of 1995) and numerous other accolades from fans and music critics alike made the band’s status in the local music scene unassailable.
Major tours in Baguio, Pangasinan, Pampanga, Cavite, Laguna, Quezon Province, Iloilo, Antique, Davao, and Gen. Santos, as well as major cause-oriented youth concerts all over Metro Maniila helped the band earn a reputation for creating unclassifiable, gut-wrenching, acid-witted songs that promoted social and political action and awareness. By the end of 1996, Datu’s Tribe had already become a household name in thousands of broken and/or mildly dysfunctional family homes all across the country!
1997-1998
Retired: Ian Cabanilla
New Drums: John Manalo
The late 90s saw the gradual decline of the “alternative” music scene as the supersaturation of the fickle local market with rock bands with rock brands of all types mutated the music into an experience that was just too much of a good thing offered too much. Along with the decline, the continued existence of Datu’s Tribe was becoming questionable primarily because two of its members (Del and Mel Visperas) were still based in Los Baños. The cost of performing mostly in rock bars in Manila soon became prohibitive and major gigs were coming fewer and farther in between. Although the drive to perform was still present, financial and domestic pressures eventually forced the band into early retirement.
Then, like sprinklings of ash on a death anniversary cake, Club Dredd closed its doors on Independence Day, 1998 to bring the era to a somewhat ironic close.
Cabring went back to fulltime teaching at UP.
Del went into part-time teaching, played in a retro-band and found a new love in tennis.
Mel eventually went into full time work at DOST.
John played in a blues band for a while before leaving for the US.
August 2004 – March 2005
After being haunted for 7 years by ghosts of dead-at-a-young-age-through-suicide musicians who prophesied that if Datu’s Tribe was not given another chance, its members would die of frustrated stardom syndrome, Cabring & Del decided to bring the band out of retirement and began work on tentative projects while searching for a new crew.
Cabring eventually hooked up with bass player André Umali who in turn asked Dax Padiernos (his batchmate in UPIS & part-owner of Purple Haze Resto & Bar) for help in acquiring a new drummer for the group. After a couple of try-outs, the group finally decided on Dax Padiernos as the new drummer. Mark Noval, guitarist of hardcore thrash outfit Genital Grinder, was added to the final mix in March.
Starting with “feeler” performances at Purple Haze, the revitalized band eventually played successful gigs at the UP Integrated School, the UPLB Fair, Gweilo’s Eastwood, the Megamall Arts@Music Festival, Rockista Reloaded, Music Museum, and the Rock Salad concert in Bulacan State U. Internet fansites, radio guestings at NU 107’s Gweilo’s Hour, Tapsi Rock, plus a new generation of listeners and supporters all coalesced into a surprisingly refreshing realization: Parang hindi nawala ang Datu’s Tribe.
April 2005
With a top-of-the-line computer system, a mixing console, a couple of thousand pesos, blood, guts, and gray matter forced into creative inspiration by liters of alcohol, the Pseudo-Acoustic Bogus-Live! EP desperately entitled FAT BURNER was born on the last week of March 2005 and released (100 initial copies out of 1,000 planned total) on April Fools Day. With demand far outstripping supply and availability, God knows what futures will be created, reshaped, or destroyed by the rebirth of Datu’s Tribe!
June 2005
Retired: Dax “Maxximum Biodaxx” Padiernos & Mark “Dr. Kram L’avon” Noval
New Drums: Paolo "Octopao" Delarama
But that’s not all! Add a new full-length album in the works, the local rock music scene gearing up for resuscitation, the country’s socio-economic development indicators at an all-time loveable low, and it appears that the band’s resurrection couldn’t have come at a more desperately opportune time.
Rest easy, ye dead-at-a-young-age-through-suicide musicians! DATU’S TRIBE IS ALIVE AGAIN!
Vocals: Eric “Ngirbac Arerbac” Cabrera
Gitara: Del “DelVis PressMe” Visperas
Bass: André “DarakStar" O'Malley
Drums: Paolo "Octopao" Delarama
Albums:
* Datu's Tribe - Demo tape (collector's item – Never Released)
* Datu's Tribe - Galit Kami Sa Baboy
* Datu's Tribe - Fat Burner
* Datu's Tribe - Whoah Pilipinas!
---------------------------------------------------------
Datu's Tribe - [1995] Galit Kami Sa Baboy! [CD]
ARTWORKS:
Artist : Datu's Tribe
Album : Galit Kami Sa Baboy!
Source : CD
Year : 1995
Genre : Pinoy Rock
Track Listing
-------------
1. Sarsa Platoon (5:02)
2. Nakalilitong Mga Tao (4:22)
3. A Girl For The World (4:40)
4. Kwento Ni Del (3:43)
5. And I See (3:46)
6. Utang Na Naman (3:55)
7. Praning (4:34)
8. Monthly Red (5:10)
9. Possessethed (5:20)
10. Constancia In Pulchritude (6:16)
11. Franing(!) (4:11)
Total Playing Time: 51:04 (min:sec)
------------------------------------------------------
Datu's Tribe - [2005] Fat Burner [CD]
ARTWORKS:
-----------------------------------------------------------
Datu's Tribe - [2007] Whoa! Pilipinas! [CD]
ARTWORKS:
Artist : Datu's Tribe
Album : Whoa! Pilipinas!
Source : CD
Year : 2007
Genre : Pinoy Rock
Track Listing
-------------
1. Feelings (3:26)
2. California Dog (4:47)
3. Christina (3:59)
4. Para Que, Elsa? (5:02)
5. Lakambini Bottom (3:25)
6. Demolition Squadd (4:59)
7. Karne (3:40)
8. Apiculture (4:36)
9. Whoa! Pilipinas! (4:07)
10. Death Metal (4:24)
Total Playing Time: 42:30 (min:sec)
Thursday, June 18, 2009
Death By Stereo - Discography
Death By Stereo - [1995] Death By Stereo [CD]
ARTWORKS:
Artist : Death By Stereo
Album : Death By Stereo
Source : CD
Year : 1995
Genre : Thrash / Progressive Metal
Track Listing
-------------
1. Harana Sa Dilim (0:58)
2. Tonio (3:42)
3. Suwapang (4:45)
4. Problema (3:48)
5. Taong Bato (4:13)
6. Mukha Ka Nang Bangkay (4:49)
7. Manyakis (4:06)
8. Walang Hanggan (1:17)
9. Para Sa 'Yo (4:58)
10. Mga Tunay Na Baliw (3:52)
Total Playing Time: 36:33 (min:sec)
------------------------------------------------
Death By Stereo - [1996] Bangungot [CD]
ARTWORKS:
Artist : Death By Stereo
Album : Bangungot
Source : CD
Year : 1996
Genre : Pinoy Metal
Track Listing
-------------
1. Salot (5:23)
2. Amuyong (3:48)
3. Maynila (4:44)
4. Bukang Liwayway (Interlude) (1:47)
5. Kalikasan (2:47)
6. Pangarap Ng Lupa (6:33)
7. Panaginip (Interlude) (1:58)
8. Anito (4:14)
9. Pagbabalik (3:47)
10. Magulang Natin (4:29)
11. Dapit Hapon (Outro) (1:26)
Total Playing Time: 41:01 (min:sec)
-------------------------------------------------
Death By Stereo - [2006] Resureksyon [CD]
ARTWORKS:
Artist : Death By Stereo
Album : Resureksyon
Source : CD
Year : 2006
Genre : PinoyMetal
Track Listing
-------------
1. Balik Tanaw (1:10)
2. Sakripisyo (5:53)
3. Abusado (4:42)
4. Hagupit (4:22)
5. Mga Tanong (4:53)
6. Walang Hanggang Gabi (6:14)
7. Konsensya (5:29)
8. Alipin (4:40)
9. Kailan? (6:08)
10. Salot (5:54)
11. Eerie Inhabitants (5:43)
Total Playing Time: 55:13 (min:sec)
ARTWORKS:
Artist : Death By Stereo
Album : Death By Stereo
Source : CD
Year : 1995
Genre : Thrash / Progressive Metal
Track Listing
-------------
1. Harana Sa Dilim (0:58)
2. Tonio (3:42)
3. Suwapang (4:45)
4. Problema (3:48)
5. Taong Bato (4:13)
6. Mukha Ka Nang Bangkay (4:49)
7. Manyakis (4:06)
8. Walang Hanggan (1:17)
9. Para Sa 'Yo (4:58)
10. Mga Tunay Na Baliw (3:52)
Total Playing Time: 36:33 (min:sec)
------------------------------------------------
Death By Stereo - [1996] Bangungot [CD]
ARTWORKS:
Artist : Death By Stereo
Album : Bangungot
Source : CD
Year : 1996
Genre : Pinoy Metal
Track Listing
-------------
1. Salot (5:23)
2. Amuyong (3:48)
3. Maynila (4:44)
4. Bukang Liwayway (Interlude) (1:47)
5. Kalikasan (2:47)
6. Pangarap Ng Lupa (6:33)
7. Panaginip (Interlude) (1:58)
8. Anito (4:14)
9. Pagbabalik (3:47)
10. Magulang Natin (4:29)
11. Dapit Hapon (Outro) (1:26)
Total Playing Time: 41:01 (min:sec)
-------------------------------------------------
Death By Stereo - [2006] Resureksyon [CD]
ARTWORKS:
Artist : Death By Stereo
Album : Resureksyon
Source : CD
Year : 2006
Genre : PinoyMetal
Track Listing
-------------
1. Balik Tanaw (1:10)
2. Sakripisyo (5:53)
3. Abusado (4:42)
4. Hagupit (4:22)
5. Mga Tanong (4:53)
6. Walang Hanggang Gabi (6:14)
7. Konsensya (5:29)
8. Alipin (4:40)
9. Kailan? (6:08)
10. Salot (5:54)
11. Eerie Inhabitants (5:43)
Total Playing Time: 55:13 (min:sec)
Wednesday, June 17, 2009
The Youth - Bio, Albums, Songs
The Youth is a Filipino band. Their music is a mixture of punk and new wave, influenced heavily by The Wuds. The band was once disappeared in the limelight, however, they are on their way back to the mainstream.
History
The band was first dubbed as the ”Boyish Days”, formed around 1989 Dodong Cruz, Erap Carrasco, Pat Epino on guitars and the bassist John Olidan. They played music suited during the time, new wave and punk music which is quite saleable for the radio station XB102’s Capital Radio. The station saw the origins of what would be one of the most famous local acts of 90’s.
Pat eventually left the band to form his own band, H8red. Raul Velez joined in and assumed the guitar functions. Upon the arrival of Pat, the group’s name was changed and called as The Youth. With their diverse influences, The Youth was able to produce their very own, signature sound.
On 1990, Robert Tan of Backseat Records took them under his wing. They were able to record and release an independent album. Like any other indie productions, the album had a limited success. It is a collectors’ item today.
The band started performing in different underground gigs. They even called themselves as “Da Wol” just to join the RJ Battle of the Bands on 1990. The contest is strictly for amateur bands only, meaning a status of the band having not recorded an album yet. They made it to the top and won the contest.
During some time of the contest, Raul and John left the band. The departure of two members was immediately replaced by a single Robert Javier, making it a classic thee-piece line-up band. As soon as he started jamming with the band, he injected his own off-beat humor into the band’s songs and performances.
Due to Dodong’s persistence, Club Dredd finally agreed to book the band on 1991. Considering their high-volume, high-energy and highly-impromptu performances, the band slowly established small followers after several months of gigging and performing. Sooner, they became a headline of the club, their shows ere sold-out, sometimes twice a week or more. Because they successfully combined punk, new wave, heavy rock and humor, audiences ate up their irreverent humor and distinct musicality. People returned again and again because each presentation has some unexpected surprises.
1993 witnessed the band’s signing up a major label. Few months after the Eraserheads signed up with BMG, The Youth was contracted by Polycosmic Record Label. It started the so-called “alternative music boom”. On 1994, the band released their debut album but remained untitled. It contained the carrier single, Multong Bakla which became an instant hit. Robert started writing songs. The five songs first recorded in an indie album were included. The Youth was gained massive airplays over different pop stations across the nation.
The follow-up album was delayed as the band performed concerts all over the country and their fist album sold almost a 100,000 copies. On 1997, the much-awaited sophomore album was released entitled Tao Po. Though the album sales were similar to that major debut album, the results were not as positive as it expects. With lack of airplays and promotions, probable gigs slowly declined. The Youth was also known for creating riotous concerts. One example was at the Araneta Coliseum where the band wasn’t able to play a single song due to riots breaking out whenever they started playing. It was eventually stopped.
Relationship between members was a stress especially for the two opposing songwriters whose influences caused the break-up of the band. What shocked the fans was when Dodong pursued a solo career and unexpectedly signed up a solo deal with the JML Records. This means the end of the band’s heydays. The two remaining members went ahead and formed Warehouse Club.
Dodong solo career was a moderate success as his debut album, Experimento hit gold status. As the label fizzled out into a newly-formed Star Records, Dodong was put into obscurity for several years.
On November 1999, as the band was reformed, they performed at Myric’s. The gig was supposed to be a one-night gig only. However, the band’s magic was ever-present which led the band to play back to the music mainstream.
Currently, the members were composed of Dodong Cruz as the band’s vocalist and guitarist, Robert Javier on bass and vocals while Erap Carrasco deals with the drums. On 2004, they released another album named Jack Daniel’s In Session…Manila.
Albums
1. The Youth - The Youth
2. The Youth - [1994] Album Na Walang Pamagat [CD]
3. The Youth - [1995] Tao Po [CD]
4. VA - Jack Lives Here [In Session] [2005]
--------------------------------------------------------------------------------
The Youth - [1994] Album Na Walang Pamagat [CD]
Artist : The Youth
Album : Walang Pamagat
Source : CD
Year : 1994
Genre : PinoyRock
Track Listing
-------------
1. Kapag Nagunaw Ang Mundo (4:33)
2. The Alphabet Song (Mother Funker) (4:36)
3. Supernova Scum (4:08)
4. Multo Sa Paningin (Multong Bakla) (3:29)
5. Payo (4:36)
6. Anak Ka Ng Ina Mo (2:35)
7. Magulo Buhay Ng Tao (2:46)
8. Mukha Ng Pera (6:23)
9. Takbo (4:09)
10. Basura (3:59)
11. Dragonball/Skits (1:34)
Total Playing Time: 42:53 (min:sec)
-------------------------------------------------------------
The Youth - [1995] Tao Po [CD]
Artist : The Youth
Album : Tao Po
Source : CD
Year : 1995
Genre : PinoyRock
Track Listing
-------------
1. When Jordan Balled Shaq (And Dennis Rodman Too) (1:44)
2. Baduy? (3:06)
3. Porselana (3:50)
4. Pain (5:27)
5. Telebisyo (4:44)
6. Balbon (2:25)
7. (down) (4:34)
8. WWIII (2:53)
9. Tao Po (4:39)
10. Tamang Panahon (7:29)
11. Plastikman (2:37)
12. (up) (4:10)
13. Sinta (4:14)
14. Kakanta (5:43)
15. [no title] (1:02)
Total Playing Time: 58:46 (min:sec)
-----------------------------------------------------------------
The Youth - [1995] Tao Po [Red Hot] [CD]
Artist : The Youth
Album : Tao Po
Source : CD
Year : 1995
Genre : PinoyRock
Track Listing
-------------
1. When Jordan Balled Shaq (And Dennis Rodman Too) (1:44)
2. Baduy? (3:06)
3. Porselana (3:50)
4. Pain (5:27)
5. Telebisyo (4:44)
6. Balbon (2:25)
7. (down) (4:34)
8. WWIII (2:53)
9. Tao Po (4:39)
10. Tamang Panahon (7:29)
11. Plastikman (2:37)
12. (up) (4:10)
13. Sinta (4:14)
14. Kakanta (5:43)
15. Track15 (2:50)
16. [no title] (1:02)
Total Playing Time: 61:36 (min:sec)
--------------------------------------------------------------
Dodong Cruz - [1997] Eksperimento
Artist : Dodong Cruz
Album : Eksperimento
Source : CD
Year : 1997
Genre : Pinoy Rock
Track Listing
-------------
1. Okey Pa Rin (4:24)
2. Malayo Pa Ang Umaga (3:42)
3. Eksperimento (3:22)
4. Shades Of Blue (5:52)
5. 125 K-Bay (2:16)
6. Ang Banda (4:57)
7. Song No.7 (6:14)
8. Oh My (3:24)
9. X (5:38)
Total Playing Time: 39:53 (min:sec)
---------------------------------------------------------------
VA - Jack Lives Here [In Session] [2005]
Artist : Various Artists
Album : Jack Lives Here [In Session]
Source : CD
Year : 2005
Genre : PinoyRock
Track Listing
-------------
1. Love Terminator (Marty Mcfly) (4:14)
2. Dive Bomb (Falstaff Hero) (3:16)
3. Peanuts (Citric Maple) (3:42)
4. Armageddon is Coming to Town (Orange and Lemons) (2:54)
5. Dessie Belle (Ciudad) (6:30)
6. Accident Prone (Boldstar) (3:48)
7. Ultraviolent Ray (The Youth) (3:38)
8. The Race (Violent Playground) (4:30)
9. Tickle (The Purplechickens) (6:18)
10. April's Fools (Bridge) (4:06)
11. Closed Captioned (Twisted Halo) (3:08)
12. Boomerang (Kjwan) (3:17)
13. Insolitude (Black Tooth Grin) (4:29)
14. Brighter Day (DRT) (5:20)
15. Deliverance (Kitchie Nadal) (4:21)
16. Nico (Narda) (3:03)
17. Aluminum (Girl In Park) (4:13)
18. Anniversary (Kiko Machine) (4:51)
19. Caress (The Pin-Up Girls) (2:57)
Total Playing Time: 78:44 (min:sec)
History
The band was first dubbed as the ”Boyish Days”, formed around 1989 Dodong Cruz, Erap Carrasco, Pat Epino on guitars and the bassist John Olidan. They played music suited during the time, new wave and punk music which is quite saleable for the radio station XB102’s Capital Radio. The station saw the origins of what would be one of the most famous local acts of 90’s.
Pat eventually left the band to form his own band, H8red. Raul Velez joined in and assumed the guitar functions. Upon the arrival of Pat, the group’s name was changed and called as The Youth. With their diverse influences, The Youth was able to produce their very own, signature sound.
On 1990, Robert Tan of Backseat Records took them under his wing. They were able to record and release an independent album. Like any other indie productions, the album had a limited success. It is a collectors’ item today.
The band started performing in different underground gigs. They even called themselves as “Da Wol” just to join the RJ Battle of the Bands on 1990. The contest is strictly for amateur bands only, meaning a status of the band having not recorded an album yet. They made it to the top and won the contest.
During some time of the contest, Raul and John left the band. The departure of two members was immediately replaced by a single Robert Javier, making it a classic thee-piece line-up band. As soon as he started jamming with the band, he injected his own off-beat humor into the band’s songs and performances.
Due to Dodong’s persistence, Club Dredd finally agreed to book the band on 1991. Considering their high-volume, high-energy and highly-impromptu performances, the band slowly established small followers after several months of gigging and performing. Sooner, they became a headline of the club, their shows ere sold-out, sometimes twice a week or more. Because they successfully combined punk, new wave, heavy rock and humor, audiences ate up their irreverent humor and distinct musicality. People returned again and again because each presentation has some unexpected surprises.
1993 witnessed the band’s signing up a major label. Few months after the Eraserheads signed up with BMG, The Youth was contracted by Polycosmic Record Label. It started the so-called “alternative music boom”. On 1994, the band released their debut album but remained untitled. It contained the carrier single, Multong Bakla which became an instant hit. Robert started writing songs. The five songs first recorded in an indie album were included. The Youth was gained massive airplays over different pop stations across the nation.
The follow-up album was delayed as the band performed concerts all over the country and their fist album sold almost a 100,000 copies. On 1997, the much-awaited sophomore album was released entitled Tao Po. Though the album sales were similar to that major debut album, the results were not as positive as it expects. With lack of airplays and promotions, probable gigs slowly declined. The Youth was also known for creating riotous concerts. One example was at the Araneta Coliseum where the band wasn’t able to play a single song due to riots breaking out whenever they started playing. It was eventually stopped.
Relationship between members was a stress especially for the two opposing songwriters whose influences caused the break-up of the band. What shocked the fans was when Dodong pursued a solo career and unexpectedly signed up a solo deal with the JML Records. This means the end of the band’s heydays. The two remaining members went ahead and formed Warehouse Club.
Dodong solo career was a moderate success as his debut album, Experimento hit gold status. As the label fizzled out into a newly-formed Star Records, Dodong was put into obscurity for several years.
On November 1999, as the band was reformed, they performed at Myric’s. The gig was supposed to be a one-night gig only. However, the band’s magic was ever-present which led the band to play back to the music mainstream.
Currently, the members were composed of Dodong Cruz as the band’s vocalist and guitarist, Robert Javier on bass and vocals while Erap Carrasco deals with the drums. On 2004, they released another album named Jack Daniel’s In Session…Manila.
Albums
1. The Youth - The Youth
2. The Youth - [1994] Album Na Walang Pamagat [CD]
3. The Youth - [1995] Tao Po [CD]
4. VA - Jack Lives Here [In Session] [2005]
--------------------------------------------------------------------------------
The Youth - [1994] Album Na Walang Pamagat [CD]
Artist : The Youth
Album : Walang Pamagat
Source : CD
Year : 1994
Genre : PinoyRock
Track Listing
-------------
1. Kapag Nagunaw Ang Mundo (4:33)
2. The Alphabet Song (Mother Funker) (4:36)
3. Supernova Scum (4:08)
4. Multo Sa Paningin (Multong Bakla) (3:29)
5. Payo (4:36)
6. Anak Ka Ng Ina Mo (2:35)
7. Magulo Buhay Ng Tao (2:46)
8. Mukha Ng Pera (6:23)
9. Takbo (4:09)
10. Basura (3:59)
11. Dragonball/Skits (1:34)
Total Playing Time: 42:53 (min:sec)
-------------------------------------------------------------
The Youth - [1995] Tao Po [CD]
Artist : The Youth
Album : Tao Po
Source : CD
Year : 1995
Genre : PinoyRock
Track Listing
-------------
1. When Jordan Balled Shaq (And Dennis Rodman Too) (1:44)
2. Baduy? (3:06)
3. Porselana (3:50)
4. Pain (5:27)
5. Telebisyo (4:44)
6. Balbon (2:25)
7. (down) (4:34)
8. WWIII (2:53)
9. Tao Po (4:39)
10. Tamang Panahon (7:29)
11. Plastikman (2:37)
12. (up) (4:10)
13. Sinta (4:14)
14. Kakanta (5:43)
15. [no title] (1:02)
Total Playing Time: 58:46 (min:sec)
-----------------------------------------------------------------
The Youth - [1995] Tao Po [Red Hot] [CD]
Artist : The Youth
Album : Tao Po
Source : CD
Year : 1995
Genre : PinoyRock
Track Listing
-------------
1. When Jordan Balled Shaq (And Dennis Rodman Too) (1:44)
2. Baduy? (3:06)
3. Porselana (3:50)
4. Pain (5:27)
5. Telebisyo (4:44)
6. Balbon (2:25)
7. (down) (4:34)
8. WWIII (2:53)
9. Tao Po (4:39)
10. Tamang Panahon (7:29)
11. Plastikman (2:37)
12. (up) (4:10)
13. Sinta (4:14)
14. Kakanta (5:43)
15. Track15 (2:50)
16. [no title] (1:02)
Total Playing Time: 61:36 (min:sec)
--------------------------------------------------------------
Dodong Cruz - [1997] Eksperimento
Artist : Dodong Cruz
Album : Eksperimento
Source : CD
Year : 1997
Genre : Pinoy Rock
Track Listing
-------------
1. Okey Pa Rin (4:24)
2. Malayo Pa Ang Umaga (3:42)
3. Eksperimento (3:22)
4. Shades Of Blue (5:52)
5. 125 K-Bay (2:16)
6. Ang Banda (4:57)
7. Song No.7 (6:14)
8. Oh My (3:24)
9. X (5:38)
Total Playing Time: 39:53 (min:sec)
---------------------------------------------------------------
VA - Jack Lives Here [In Session] [2005]
Artist : Various Artists
Album : Jack Lives Here [In Session]
Source : CD
Year : 2005
Genre : PinoyRock
Track Listing
-------------
1. Love Terminator (Marty Mcfly) (4:14)
2. Dive Bomb (Falstaff Hero) (3:16)
3. Peanuts (Citric Maple) (3:42)
4. Armageddon is Coming to Town (Orange and Lemons) (2:54)
5. Dessie Belle (Ciudad) (6:30)
6. Accident Prone (Boldstar) (3:48)
7. Ultraviolent Ray (The Youth) (3:38)
8. The Race (Violent Playground) (4:30)
9. Tickle (The Purplechickens) (6:18)
10. April's Fools (Bridge) (4:06)
11. Closed Captioned (Twisted Halo) (3:08)
12. Boomerang (Kjwan) (3:17)
13. Insolitude (Black Tooth Grin) (4:29)
14. Brighter Day (DRT) (5:20)
15. Deliverance (Kitchie Nadal) (4:21)
16. Nico (Narda) (3:03)
17. Aluminum (Girl In Park) (4:13)
18. Anniversary (Kiko Machine) (4:51)
19. Caress (The Pin-Up Girls) (2:57)
Total Playing Time: 78:44 (min:sec)
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